Download Architecture: The Making of Metaphors by Barie Fez-Barringten PDF

By Barie Fez-Barringten

The authors writings are in accordance with his lecture sequence offered in 1968 at Yale collage known as structure: The Making of Metaphors which used to be then released partly in major Currents in sleek suggestion, then in lots of different journals together with learn into the works of Paul Weiss, Andrew Ortony, David Zarefsky and W. J. J. Gordon.

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Extra info for Architecture: The Making of Metaphors

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It is affected by means of its setting. The collection of these affects I gather as “conditions” which condition the work such as building codes, state and local statutes, manufacturers requirements, structural systems, materials, methods of construction, neighborhood and site specifics, traffic, transportation, vehicular and pedestrian access and the like. All of these condition the work, are sovereign and disjointed, unrelated and yet have essences common to one another. [3] “In his book on Greek temples, Scully (The Villas of Palladio) points out that they are oriented towards the mountains.

This is a definition architects are impatient for; most of them want to be told clearly what the myth of our time is, so that they can build architecture for it. “They forget that architecture is itself part of the process of making the myth that will find its definition only in the future. ” Look at the way emerging cities are urbanizing using this model with little rhyme or reason merely emulate the myth. It is like the way France emulated Italy, Germany emulated France and Poland emulated Germany during the Renaissance.

Of all the arts, architecture is inescapably social in its import. It is related to city planning, to economic factors and to transportation. In the construction of factories and office buildings, we have to take into account the multitude of people who will work in them, and who have to be understood not merely as individual units but as part of a social whole. In our contemporary environment, there is a reciprocal movement between man and the work of architecture which he inhabits. We take account of the impact of architecture on man when we put museums and schools in certain areas.

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